caribbeanedu.com
Home | CORAL | Caribbean Odyssey | KEWL | Students | Teachers | Parents
CARIBBEAN ALMANAC LANGUAGE ARTS CENTRE MATH CENTRE SCIENCE CENTRE BUSINESS CENTRE SPORTS CENTRE HEALTH CENTRE ARTS CENTRE ACTIVITY CENTRE ADVENTURE CENTRE
 :: Home » KEWL

Caribbean Festivals

Caribbean culture is a diverse and complex blend of many original cultures from all corners of the globe. The Caribbean people have struggled and strived to maintain ties with their ancestral links while creating something entirely new and different. That is why wherever you go in the Caribbean, you will find a wonderful blend of the old and the new; a melding of European and African influences, Asian and Middle Eastern components, and the new forms which cannot themselves necessarily be traced to any other origin than that of the "Caribbean". The twentieth-century migration of Caribbean peoples northward has produced yet another form of Caribbean culture as diasporic communities interact with their North American and European environs. The most notable example of this is the preponderance of Carnival-type festivals held in a growing number of major metropolitan cities throughout the globe.

What is carnival?

It is an annual celebration of life found in many countries of the world. And in fact, by learning more about carnival we can learn more about ourselves and a lot about accepting and understanding other cultures.

Where did the word “carnival” come from?

Hundred and hundreds of years ago, the followers of the Catholic religion in Italy started the tradition of holding a wild costume festival right before the first day of Lent. Because Catholics are not supposed to eat meat during Lent, they called their festival, carnevale — which means “to put away the meat.” As time passed, carnivals in Italy became quite famous; and in fact the practice spread to France, Spain, and all the Catholic countries in Europe. Then as the French, Spanish, and Portuguese began to take control of the Americas and other parts of the world, they brought with them their tradition of celebrating carnival.

The dynamic economic and political history of the Caribbean are indeed the ingredients of festival arts as we find them today throughout the African and Caribbean Diaspora. Once Columbus had steered his boat through Caribbean waters, it was only a few hundred years before the slave trade was well established. By the early 19th century, some six million slaves had been brought to the Caribbean. Between 1836 and 1917, indentured workers from Europe, west and central Africa, southern China, and India were brought to the Caribbean as laborers.

African influences on carnival traditions

Important to Caribbean festival arts are the ancient African traditions of parading and moving in circles through villages in costumes and masks. Circling villages was believed to bring good fortune, to heal problems, and chill out angry relatives who had died and passed into the next world. Carnival traditions also borrow from the African tradition of putting together natural objects (bones, grasses, beads, shells, fabric) to create a piece of sculpture, a mask, or costume — with each object or combination of objects representing a certain idea or spiritual force.

Feathers were frequently used by Africans in their motherland on masks and headdresses as a symbol of our ability as humans to rise above problems, pains, heartbreaks, illness — to travel to another world to be reborn and to grow spiritually. Today, we see feathers used in many, many forms in creating carnival costumes.

African dance and music traditions transformed the early carnival celebrations in the Americas, as African drum rhythms, large puppets, stick fighters, and stilt dancers began to make their appearances in the carnival festivities.

In many parts of the world, where Catholic Europeans set up colonies and entered into the slave trade, carnival took root. Brazil, once a Portuguese colony, is famous for its carnival, as is Mardi Gras in Louisiana (where African-Americans mixed with French settlers and Native Americans). Carnival celebrations are now found throughout the Caribbean in Barbados, Jamaica, Grenada, Dominica, Haiti, Cuba, St. Thomas, St. Marten; in Central and South America in Belize, Panama, Brazil; and in large cities in Canada and the U.S. where Caribbean people have settled, including Brooklyn, Miami, and Toronto. Even San Francisco has a carnival!

Carnival in Trinidad and Tobago

Trinidad's carnival is a beautiful example of how carnival can unite the world. For in this small nation, the beliefs and traditions of many cultures have come together; and for a brief five days each year, the whole country forgets their differences to celebrate life!

Like many other nations under colonial rule, the history of Native Americans and African people in Trinidad is a brutal, sad story. Spain and England at different times both claimed Trinidad as their colonies. Under British rule, the French settled in Trinidad, bringing with them their slaves, customs, and culture. By 1797, 14,000 French settlers came to live in Trinidad, consisting of about 2,000 whites and 12,000 slaves. Most of the native peoples (often called the Amerindians) who were the first people to live in Trinidad, died from forced labor and illness.

Carnival was introduced to Trinidad around 1785, as the French settlers began to arrive. The tradition caught on quickly, and fancy balls were held where the wealthy planters put on masks, wigs, and beautiful dresses and danced long into the night. The use of masks had special meaning for the slaves, because for many African peoples, masking is widely used in their rituals for the dead. Obviously banned from the masked balls of the French, the slaves would hold their own little carnivals in their backyards — using their own rituals and folklore, but also imitating their masters’ behavior at the masked balls.

For African people, carnival became a way to express their power as individuals, as well as their rich cultural traditions. After 1838 (when slavery was abolished), the freed Africans began to host their own carnival celebrations in the streets that grew more and more elaborate, and soon became more popular than the balls.

Today, carnival in Trinidad is like a mirror that reflects the faces the many immigrants who have come to this island nation from Europe, Africa, India, and China. African, Asian, and American Indian influences have been particularly strong.

Carnival is such an important aspect of life in Trinidad that many schools believe that sponsoring a carnival band is a way to teach young people about their roots and culture. In Trinidad’s Kiddies Carnival, hundreds of schools and community organizations participate! In this way, communities work together to develop stronger friendships and greater respect for the many cultures that make up Trinidad.

Crop Over in Barbados

Crop Over, the name for Barbados's particular carnival, celebrates the end of the sugar cane harvest. Currently, the celebration lasts a month, from early June to the Grand Kadooment Day on the first Monday in August. But in the 1800's--when the celebration began--it lasted just a day.

Initially, the celebration was simple: the slaves decorated the last cart of canes and the donkeys pulling it with colorful kerchiefs and brilliant flowers: frangipanni and flamboyant, for example. According to one source, a plantation worker would beat a gong as the cart rolled in, announcing that the crop was over. After parading around the farmyard, the workers would sojourn to a feast and a dance. They even selected a King and Queen who had cut the most cane.

The festival has gone through various stages. After Emancipation in 1834, it not only signified the end of the hard work in cane fields, but also the beginning of a period with fewer jobs and less income. The celebration also died out in the 1940's as the decline of sugar and the availability of other kinds of work stopped much traditional plantation life.

In 1974, though, the Board of Tourism revived Crop Over and rebuilt it into its modern form, with colorful costumes and the popular music contests (Calypso Monarch competitions and Ring Bang, for example). Today, the National Cultural Foundation administers the event.

Festivals of Guyana

Each group in Guyana's multi-racial population brought to Guyana its distinct customs and traditions which, to date, are reflected in the various festivals celebrated throughout the year. Most of the festivals have especial significance to Guyanese regardless of their ethnic origins or religious persuasions. The following are among the most notable of those festivals:

  • Mashramani
  • Phagwah
  • Easter
  • Eid-Ul-Azha, and
  • Christmas

Mashramani

The word Mashramani is derived also from the Amerindian language and in translation means "the celebration of a job well done". Mashramani, sometimes referred to as "Mash", is usually observed on the 23rd day of February - Guyana's Republic Day - to commemorate the "Birth of the Republic". It is probably the most colourful of all the festivals. There are spectacular costume competitions, float parades, masquerade bands, and dancing in the streets to the accompaniment of steel band music and calypsoes. Masquerades frequent the streets performing acrobatic dance routines, a vivid reminder of Guyana's African heritage. Calypso competitions with their witty social commentaries are another integral part of "Mash", and this culminates in the coronation of a King or Queen for the particular year.

Phagwah

Phagwah is a Hindu religious holiday observed in March to celebrate the triumph of good over evil. Hindus traditionally wear white on Phagwah day and indulge in the throwing upon each other of a harmless liquid called abeer. Abeer is a red dye which symbolizes the blood of the tyrannical King Kiranya who in Hindu lore was ordered burnt alive by his son Prince Prahalad because of the suffering which his people endured at the hands of his father. Powder, perfume, and water are also thrown on family, friends and neighbours on this day by Hindus and non-Hindus alike in what is an amusing, good-natured and joyful celebration.

Easter

The season of Easter generally begins with a Holy Week which ends on Easter Monday. The dates on which these are observed are based on the Christian calendar, but follows immediately after lent. In Guyana, Good Friday which falls within that week and is observed as the day on which Jesus Christ was crucified, is certainly one of the most solemn and quiet days of the year. All places of business remain closed in its observance. Hot "crossbuns" are served and eaten, and most Christian families attend church services during the day. The season ends on Easter Monday when the entire nation seems to participate in a grand all-day picnic which includes the flying of kites to signify and celebrate the resurrection of Jesus Christ from the dead and his ascension into heaven.

Eid-Ul-Azha

This Muslim holy day celebrates the Prophet Abraham's willingness to offer his son Ishmael as a sacrifice to Allah. It teaches that Allah will bring peace and happiness to those who submit completely to his will. Eid-Ul-Azha is celebrated by sacrificing fully grown animals whose meat is shared among relatives, the poor and the sacrificer's households.

Christmas

On the 25th of December Guyana celebrates the international Christian holiday of Christmas to commemorate the birth of Jesus Christ. The entire season, which extends for twelve days into the new year, is characterized by pervasive expressions of love, goodwill and generosity by all Guyanese. There is no differentiation between Christians and non-Christians in Guyana at Christmas. The feeling of peace and joy transcend all ethnic, religious and social barriers.

As at Mashramani, masquerades appear in full glory with "Mother Sally" - a popular figure costumed as an oversized doll - and stilt dancers. There is also street dancing. It is during this period that Guyanese dance throughout the night until the wee hours of dawn and lavishly entertain their friends and loved ones.

  source: http://www.courses.vcu.edu; http://www.allahwe.org/History.html; http://home.ica.net/~dmoseley/index.htm


  RETURN TO CARIBBEAN ALMANAC  
   

Home | Education Central | CORAL | Caribbean Odyssey | KEWL | Student Central | Parent Central | Teacher Central
© 2006 ILLUMINAT. All rights reserved. Terms of Use |
Privacy Statement